The Tortoise And The Hare Staged Reading!

We’ll be teaming up with Curtain Call, Inc. on December 5 for a staged reading of our first musical currently under development.

Tickets now on sale!

“Hear My Song” Cabaret ~ featuring CT’s future stars and NYC’s Broadway Stars

*Stars of the Broadway stage will join Fairfield County’s young, rising talent in a musical cabaret to benefit the Northeast Children’s Theatre Company.*

 

The concert will feature original children’s theatre songs written by up-and-coming composers and those adored tunes from such classic family-friendly musicals as “Beauty and the Beast,” “You’re a Good Man, Charlie Brown,” and “Cinderella.”

Concertgoers will also have the opportunity to win an exclusive ‘New York City for two’ raffle package and attend a reception, with light refreshments, following the performance.

Nearly a dozen youthful theatre stars from Fairfield County are scheduled to present the concert of music and memories. In addition, Emma Hunton of Broadway’s SPRING AWAKENING and Meghann Fahy of Broadway’s NEXT TO NORMAL are expected to appear. For The Heart, an all-student vocal ensemble from Westport, will round out the afternoon’s lineup of special guests.

Tickets are $10 for students and $15 for adults; reservations strongly suggested. To purchase, visit www.nctcompany.org or call 203-259-1036. Tickets may also be available at the door.

 

Getting to Know The Tortoise and the Hare!

The Northeast Children’s Theatre Company will present the WORLD PREMIERE of The Tortoise and the Hare in spring of 2012. The musical features a book by Andrew Barbato and Caitlin Lowans, and music and lyrics by Andrew Barbato and Lesley DeSantis. Based on Aesop’s fable of the same name, this contemporary re-telling follows Tommy Tortoise, Harvey Hare and Cindy Snail, as they prepare for the big race at Creekwood Elementary. Find out about the true meaning of friendship with this heartwarming musical full of adventure and comedy!

Andrew and Lesley have graciously taken the time to answer some questions about the show and themselves!

 

How long have you been writing for musicals?

We first began writing music together back in late 2008/early 2009. Those were our first little inklings of ALICE and The Tortoise and the Hare. The first ALICE songs we wrote actually weren’t even really in our finalized production, so it’s amazing to see how everything evolved from those beginning moments!

Aside from a couple small songs in high school, Lesley didn’t start writing music until the Summer of 2008 when she was employed by a local children’s theater Summer camp program. While working there, the children created 40-minute musicals every two weeks from scratch, so Lesley was writing at least 2 songs a week for a 10-week program. Definitely a music-writing bootcamp if there ever was one!

Although Andrew had been arranging music for a bit before he met Lesley, their partnership sparked his interest in composing.

 

Where did you receive your training?

Lesley: I started taking piano lessons at age 4 in my hometown of Rockport, MA, and my parents say I was picking out tunes by ear around age 3, which prompted them to get me into lessons! I’m classically trained, though not super strictly. I wasn’t one of those children who practiced for hours a day. I was actually known for my resistance to practicing haha, and wanting to play Disney songs instead. I started with the Suzuki program as a young child, then moved onto adult classical books by elementary school, as well as jazz improvisation and playing other popular music by ear. I was fortunate enough to have a couple of great piano teachers growing up who emphasized having fun while growing musically.

Andrew: From eighth grade to my senior year of high school, I went through the Stoneham Theatre’s Resident Youth Ensemble training program, where I was lucky enough to study a wide range of technique’s and styles. I have also studied at Carnegie Mellon’s Pre-College Program, as well as Broadway’s Circle in the Square Theatre School.

 

What inspired you to write The Tortoise and the Hare?

I think a few things contributed to our development of The Tortoise and the Hare, but I don’t think either of us ever expected it to grow as it has! Andrew came up with the idea to develop the story, and the springboard for writing this type of music together really comes from feeling like there is a need for fun, educational musical theatre for children – both performed for them and by them. We loved the idea of taking a classic tale and giving it a little twist (which is sort of becoming our ‘thing’ now!) and the more we put our heads together, the more the music just kind of came out.

 

What is the premise of the musical?

Our version of The Tortoise and the Hare loosely follows the Aesop’s fable, but the real message we’ve driven into the text and the music centers around acceptance, open-mindedness, and the presence of bullying at school.

Tommy Tortoise is a well-traveled tortoise attempting to fit in at Creekwood Elementary with his classmates. The dorky but lovable Cindy Snail sits behind him in class and prays that someday he’ll be her main squeeze. Or, as she sings in the opening number, “we’re in love, he just doesn’t know!”

Meanwhile, Harvey Hare, a rough-around-the-edges schoolyard bully from a not-so-happy home environment, takes every chance he gets to put Tommy down and get the other kids to gang up on him, pushing him down into puddles and drawing on his shell, which has a crack in it and is a bit weathered from all of his worldly travel.

Each year, the elementary school holds a race for three brave contenders, with the prize being a shiny gold medal. Tommy’s eyes light up at the sight of such a prize and he’s convinced that if he could only win the medal, he could hang it over his “cracked, faded, ugly” shell and finally fit in.

Through a series of mishaps, tricks, and twists, Tommy, Cindy and Harvey end up running the race, but the winner just might surprise you! By the end, everyone learns some important lessons about self acceptance, teamwork, and what it means to be a friend.

 

What is your favorite moment of The Tortoise and the Hare?

Lesley: I think my favorite moment is during the song “With my New Shell” when Cindy Snail almost blows her cover about her secret crush on Tommy. I also love that she sneezes when she’s nervous.

Andrew: Favorite moment is definitely whenever those three sassy ladies are singing in three part harmony, all notes being above high C. Sorry girls! But thank you.

 

How do you think young audiences will react to The Tortoise and the Hare?

We’ve been fortunate enough to have been able to test out our earlier versions of The Tortoise and the Hare on young audiences in the Boston area as part of a school outreach program for a local theatre, and the response has been positive so far!

We usually held a Q & A after the shows for the children in the audience to get a chance to talk with the young actors. This helped us to gauge whether the message was coming across properly, and to see any parts of the story they thought were particularly funny or interesting. Harvey calling Tommy ‘tortilla’ usually gets a pretty good laugh. : )

 

Why theatre for young audiences?

We think that fostering the arts and creativity in young people is so important, particularly as schools and community programs are suffering with budget cuts in these areas. We really feel like the arts, and musical theatre in particular, are such a gateway for young people to express themselves, to collaborate, and to experience something that touches them and stirs their creative spirit.

We hope that our work might inspire some of the children that see it to want to participate in theatrical programs themselves, and that it can open their eyes that participating in something like this is possible, even if they have never set foot on a stage before. We also hope that the deeper messages of The Tortoise and the Hare come through to the children that might be going through similar issues in their own school environments as well. If this musical helps even one child to think twice about bullying, or helps a bullied child to feel better about themselves and able to feel strong in the face of adversity, then we will be really happy.

 

 

 

Broadway Rocked For Kids!

Thank you to all who came out last Monday night to support Broadway Rocks For Kids! The evening took place at Drom, and was hosted Benj Pasek and Justin Paul of Pasek and Paul, with incredible performances by Alysha Umphress, Emma Hunton, Jesse Nager, Steven Booth, Meghann Fahy, Phoebe Strole, Kacie Sheik, and The Broadway Boys.

One of the highlights of the evening was Jessie J’s “Who You Are,” performed by Jesse Nager (MARY POPPINS), with Tim Young (NEXT TO NORMAL), and Brad Greer (ALTAR BOYZ). Check out a video of the performance below. Also, a big thank you to Tito’s Vodka and Music Theatre International who sponsored the evening!

 

Report: Arts Education in NYC

This past March, a new report about arts education in public schools was released from the NYC Department of Education. For several years many organizations have made a commitment to devote much of their time and energy on improving the arts in urban public schools – specifically for New York City. Erik Robelen of Education Week broke down the report in an insightful commentary, highlighting what improvements have been made… and what still needs to be done.

As an organization with roots in the Northeast, we carefully watch the progress being made in NYC hoping that the programs and efforts are paying off. It is, of course, a long process and will take some time to build up but everyone at the Northeast Children’s Theatre Company is encouraged by this recent report. Over the last four years, general access to arts education has increased. While funding has declined, the access is most important and we consider this a minor victory (and temporary fix). With such a troubling economy and struggling school system, it is difficult to know if these numbers will continue to climb next year. But, as the Center for Arts Education in New York City points out, “While there was some positive news in the report, the clear message from the data is that arts education is in the midst of a difficult storm.”

Sadly, New York City is not the only city suffering. Many other towns and districts in the Northeast continue to battle this severe drought of publically-supported arts education programming. Nonetheless, we continue to strive towards changing this and impacting every single child possible. It must be about the community need and the children in these communities who are not given the opportunity to experience the theatre.

To read the article by Erik, click here.

To view the 2009-2010 report, click here.

Check it out…Broadway Rocks For Kids

We hope you’ll join us for our first benefit event! To celebrate and kick-off our Discover The Stage fundraising campaign, we’ll be hosting an all-star lineup of performers on Monday, September 19 in NYC. Please drop by and if you have any questions, don’t hesitate to contact us!

Broadway Rocks for Kids Benefit Concert to Feature Krysta Rodriguez, Alysha Umphress, The Broadway Boys, et al.

Stars of the Broadway stage will belt out their favorite rock tunes in a benefit concert for the Northeast Children’s Theatre Company.

Broadway Rocks for Kids, a one-night-only event to benefit arts education programming, is set for Monday, September 19, at Drom in the East Village. The evening will include live entertainment and premium raffle prizes. Guests will also have the option of purchasing food and drink.

Talent scheduled to appear: Krysta Rodriguez (ADDAMS FAMILY), Alysha Umphress (AMERICAN IDIOT), Emma Hunton (SPRING AWAKENING, NEXT TO NORMAL), Jesse Nager (MARY POPPINS), Steven Booth (GLORY DAYS), Meghann Fahy (NEXT TO NORMAL), Phoebe Strole (SPRING AWAKENING), and Kacie Sheik (HAIR).

Joining the all-star lineup will be The Broadway Boys, a collection of the hottest male voices currently working on the New York stage, and the songwriting team of Pasek & Paul (EDGES, A CHRISTMAS STORY).

Doors open at 8 p.m., with a $5 drink special offered for the first hour. Performances begin at 9 p.m. Drom is located in Manhattan at 85 Avenue A between 5th and 6th Street. For more information, visit www.dromnyc.com.

The cover charge is priced at $10 and includes one raffle ticket per guest. General seating is limited; standing room will be available. You must be atleast 18 years of age to attend and reservations are strongly suggested. For tickets, visit www.nctcompany.org or pay cash at the door.

Broadway Rocks for Kids is sponsored by Music Theatre International and Tito’s Vodka.

Welcome!

Welcome to “Backstage Pass”, the official blog of the Northeast Children’s Theatre Company. The Northeast Children’s Theatre Company, or NCTC, is a not-for-profit arts organization that is dedicated to supporting and serving families of the Northeast region through educational outreach and professional theatre programming for young audiences.

Founded in 2010 by Tyler Paul and Morgan Weitz, NCTC’s mission is to introduce and enhance the experience of theatrical performance for youth, as well as offer a nurturing artistic environment with age-appropriate and family-friendly productions. For children, NCTC is devoted to encouraging the exploration of creativity and developing a long-lasting passion for the arts. For teens, NCTC is committed to providing educational presentations of high quality and offering the comprehensive training necessary to cultivate pursuit of artistic understanding. The Northeast Childrenʼs Theatre Company (NCTC) firmly values the impact of the arts and the benefits it can provide to children and teenagers, as well as to families and entire communities, and strives to educate and inspire audiences.

NCTC is made up of four components: On Stage, Touring, Education and Outreach, and Conservatory.

On Stage: Our professional year-round season of original musicals and plays, as well as adored classics, for audiences of all ages. The series is presented through innovative and unparalleled production quality, which resonates with today’s youth. Specialized programming, complimenting the season, includes in-school performances, talkbacks, workshops and more.

Touring: Our professional on-the-road company. Touring is dedicated to reaching a wider audience and exposing our NCTC performances to the entire region. Touring is intended for school settings, community centers and organizations, arts institutions, and comparable educational environments. Touring productions are accompanied by a multifaceted educational component.

Education & Outreach: Our commitment to fostering and nurturing future artists of our generation beyond the walls of NCTC. This component, carried out by highly respected teaching artists, is grounded in the belief that all children should receive equal learning opportunities. Programming includes seminars, master classes, workshops, after-school residencies and more.

Conservatory: Our institution focused on creating and offering comprehensive theatre arts training for students of all ages. Conservatory features an array of classes and programs in the performing arts, as well as our special needs intensive “Theatre Arts Connection.” The Conservatory also oversees the Apprentice Company and the Youth Ensemble.

We hope that you check back frequently as we will be updating our blog with news, features, interviews, exciting spotlights, and other interesting articles!

Co-Founders Morgan Weitz & Tyler Paul